Painter Sam Cady talks about Painter Cicely Aikman

Art at Bartlett presents . . .

ART TALK by Midcoast Painter Sam Cady on

Midcoast Painter Cicely Aikman 

(Rockland, ME) – Bartlett Woods Retirement Community welcomes renowned Maine painter Sam Cady to speak about legendary Maine painter Cicely Aikman on Monday, July 13th, from 10-11am. The free ART TALK coincides with the current exhibition “CHICKADEES, ALLIGATORS AND STONEHENGE,” featuring the work of Cicely Aikman, along with Janice Kasper and Dirk McDonnell.  Located at 20 Bartlett Drive (just off Talbot Avenue between Broadway and Old County Road), the non-profit retirement community continues its commitment to its Art at Bartlett Program through hosting this public program.

Both Cady and Aikman are represented by Caldbeck Gallery in Rockland, ME. The exhibition is on loan from the Gallery through August 28th; public hours are Sunday through Friday, 9-4pm. Parking along the Bartlett driveway is suggested.

About the Artists:

Sam Cady (American b. 1943). Born in Boothbay Harbor, Maine and raised in a leafy suburb of Boston, Sam Cady is a self-described New Englander.  After receiving a BA at the University of New Hampshire (1965) and a MFA at Indiana University (1967), Cady taught art for 2 years in New Hampshire before moving to New York City in 1969.  He lived and worked on the lower east side of Manhattan and in Hoboken, NJ for most of the next 30 years exhibiting his work and teaching in the MFA program at the School of Visual Arts.  With exposure to all the “isms” of recent American art he found his way with realism, pop, and minimalist influences from Hopper, Oldenburg and Kelly often with shaped or cutout oil on canvas images of bits and pieces of the everyday world.  His first major exposure was in the 1975 Whitney Museum Biennial and continued along with regular gallery exhibitions in NY, Boston and Rockland, Maine with other museum and gallery shows around the country and in Japan.  After being in the city for 30 years he moved to Friendship, Maine (where he had summered as a child) in 2000, built a studio and continued to work, exhibit, and teach.  He is in many private, corporate, and museum collections around the country and was the recipient of a Joan Mitchell Foundation grant and an American Academy of Arts and Letters purchase prize.  His aim throughout has been to explore and celebrate both the constructed and natural worlds that we are all surrounded by (courtesy Anderson Yezerski Gallery).

Cicely Aikman (American 1923-2013). Born in Texas, where she lived until the age of six, Aikman spent her childhood in Los Angeles – a child of the west – before going to high school in Washington D.C. She studied at the Corcoran School of Fine Arts (1938-40), the University of Chicago (1940-42), and the Art Student League with mentor Morris Cantor (1942-1946). Aikman reflected “This was a serious art education – our only regret was that due to World War ll, we could not go to Europe, in particular to Paris to see, first-hand, the works of Picasso and Matisse.”

After the war, Aikman traveled to Italy by boat with her young son, Paul, and lived in bohemian circles with others, drawn like Aikman, to the cultural life in Rome, Paris and elsewhere. Back in New York, Aikman began showing her work along with her downtown peers, among them Lois Dodd, Rudy Burkhardt and Gretna Campbell at the Pyramid Gallery. In the forties and fifties, Aikman painted winters in the city and summers in Provincetown, MA. She exhibited in New York with Green Mountain Gallery, the Blue Mountain Gallery, the Artists’ Gallery, the Westbeth Gallery, and with the Provincetown Art Association, while raising her son and holding down a series of jobs. She moved to Maine in 1973 with her second husband, Fred Scherer, whom she had met through her work at the Museum of Natural History in New York. Aikman began to show at Caldbeck Gallery in 1990. Her work has been exhibited in numerous galleries and museums, including the Farnsworth Art Museum, The Portland Museum of Art, the Center for Maine Contemporary Art and Roundtop Center for the Arts. Her work “January”, was included in WINTER IN MAINE by Carl Little, published by Down East Books. Aikman maintained a vigorous studio practice, splitting her time between Friendship, Maine and the Indian River in Florida. In 2005, Aikman and Scherer moved to Brattleboro, Vermont where they continued to live and work until 2013 (courtesy Caldbeck Gallery). https://www.cicelyaikman.com/

For further information at the artists, contact: Caldbeck Gallery, 12 Elm Street, Rockland, Maine 04841. Call 207.594.5935 or email info@caldbeck.com.

First Friday Art Walk Field Trip to The Landing Gallery

Residents of Bartlett Woods enjoyed a special evening of art, conversation, and community on Friday, June 5, when they attended the opening reception for Fire and Ice, a new exhibition by Maine artist Sarah Faragher at The Landing Gallery in downtown Rockland. The exhibition opened as part of Rockland’s popular First Friday Art Walk and features Faragher’s newest paintings inspired by Maine’s coastal landscape.

The outing was made possible through the generous invitation of Roberta Baumann, a Bartlett Woods Board Member, accomplished fine arts photographer, and co-director of The Landing Gallery. Residents were transported from Bartlett Woods to the gallery, where they were welcomed for a memorable and highly personal experience.

Baumann provided residents with a private tour of the gallery, offering an in-depth discussion of her own remarkable photographic works that were also on display. Her insights into the creative process, composition, and inspiration behind her images gave residents a unique opportunity to engage directly with a professional artist and photographer.

In addition to sharing her own work, Baumann personally introduced residents to featured artist Sarah Faragher, creating opportunities for meaningful conversation about the paintings in Fire and Ice. Residents enjoyed learning about Faragher’s artistic techniques, inspirations, and the stories behind many of the pieces featured in the exhibition, and the artist, Sarah Faragher, gifted the Bartlett Woods library with a copy of her memoir, Autobiography of an Island.  The opportunity to speak directly with the artist added a special dimension to the evening and deepened residents’ appreciation for the artwork on display.

For many residents, the event offered more than an opportunity to view exceptional art. It was a chance to connect with artists, engage in thoughtful discussion, and experience the vibrant cultural life of the Midcoast community.

“We are grateful to Roberta Baumann and The Landing Gallery team for providing such a welcoming and enriching experience for our residents,” said Kelly Osborn, Executive Director of Bartlett Woods. “Opportunities like this foster curiosity, creativity, and connection while showcasing the incredible artistic talent that exists within our community.”

The visit reflects Bartlett Woods’ ongoing commitment to providing engaging experiences that support lifelong learning, cultural enrichment, and meaningful community involvement. Residents returned home inspired by the artwork, energized by the conversations, and appreciative of the warm hospitality extended by Roberta Baumann and her co-director Bruce Busko, Sarah Faragher, and The Landing Gallery.

At Bartlett Woods, we believe that experiences like these remind us that learning, creativity, and discovery have no age limit.

 

English High Tea at Bartlett

MOTHER’S DAY AT BW 2026

 

 

At Bartlett Woods, Mother’s Day was celebrated with grace, laughter, and the timeless charm of an authentic English high tea.

 

 

Residents and guests gathered together in a beautifully decorated dining room adorned with delicate floral touches, soft pink accents, and elegant table settings that transformed the afternoon into something truly special. Authentic English tea cups and saucers graced each table, while tiered trays overflowed with traditional treats including warm scones, delicate tea sandwiches, pastries, cookies, and other classic English favorites. UK-born resident Madge lent many beautiful objects from her personal collection, and gave guidance to the staff during the planning process.

 

The gentle clink of china and the aroma of freshly brewed tea created an atmosphere of warmth and refinement, reminiscent of a traditional countryside tea service. Live harp music softly filled the room, adding an extra touch of elegance and serenity to the celebration. Residents shared stories of motherhood, family traditions, and cherished memories while enjoying the simple pleasure of conversation around the table.

Staff members carefully prepared every detail to ensure the afternoon felt both elegant and welcoming. The event was not only a celebration of mothers, but also a celebration of community, friendship, and the generations of love and wisdom represented throughout Bartlett Woods.

 

Laughter filled the room as residents admired the beautiful tea sets, sampled sweet treats, and enjoyed the company of friends and loved ones. For many, the afternoon brought back treasured memories of family gatherings, special occasions, and the enduring comfort found in meaningful traditions.

 

At Bartlett Woods, moments like these remind us that the most meaningful celebrations are often the ones that bring people together around beauty, conversation, and care. The Mother’s Day High Tea was a lovely reflection of the warmth and spirit that make our community feel like home.

 

Happy Mother’s Day from all of us at Bartlett Woods.

Screenshot

A 100th Birthday

 

 

Marian Ritch White Celebrates 100th Birthday _ Local News _ midcoastvillager.com

Marian Ritch White Celebrates 100th Birthday
ROCKLAND — Marian Ritch White celebrated her 100th birthday with family on Friday, May 1 at Bartlett Woods Retirement Community.
Marian enjoyed the milestone with family during a luncheon at Bartlett Woods, her cherished home for 11 years.
Born May 1, 1926 in Hartford, Conn., Marian has lived in the Midcoast, most notably Camden, Rockport and Rockland, since 1961.
The luncheon included appetizers, salad, main meal and cake and ice cream. There was a champagne toast to Marian for her distinquished life. The Bartlett Woods’ sunroom was filled with purple balloons, streamers and congratulatory banners and time piece clock, while her walker was adorned with two tiaras and a sash that read: “100 and fabulous.”
The hallway from Marian’s apartment to Bartlett Woods’ dining area were lined with 100 balloons and informational placards that represented each decade from the 1920s through 2020s.
In her lifetime, Marian has lived through the Great Depression, World War II, evolution of transportation, rise of mass and social media, far-reaching space travel, groundbreaking societal inventions, a pandemic and the explosion of technology.
Among Marian’s family members who attended her luncheon were her three adult childrlen, Stephen White of Stonington, Conn., Jonathan White of Rockport, and Sarah Waltz of South Thomaston. Marian’s son, Bruce, of Bend, Ore., and her husband, Dr. Henry White for nearly 70 years, had passed away previously.
Other family members at the celebratory luncheon were grandson Brandon, granddaughter-in-law Hannah and great granddaughter Audrey Waltz (age 7) of Turner; grandson Nathan White and his partner Nina Torres of Wilton, Conn.; grandson Parker White of Denver, Colo.; daughter-in-law Maggie White of Stonington, Conn.; and son-in-law Ken Waltz of South Thomaston.
Marian also enjoyed a breakfast in her honor with other Bartlett Woods residents and staff the morning of her special day. Many residents and staff wore purple, Marian’s favorite color.
Marian was the first woman to serve on the Camden School Board (education and music/arts were among the most important aspects of her life, she said) and has been involved with many area organizations and clubs over the years, including the Congregational Church in Camden, Camden Yacht Club and Megunticook Tennis and Golf Club.
Sailing, tennis and classical/choral music have been among her passions during her 100 years of life.

New Board, Full Board

2026 Board of Directors at Bartlett Woods. Left to Right, seated: Marion Grant, Secretary; J. Michael Lane, President; Josee Shelley, Treasurer. Left to Right, standing: Rev. James A. Weathersby; Elizabeth Vonfelten, MD; Rev. Dr. Susan Stonestreet; Nicole Gogan Larrabee, Kevin Olehnik, MD; Roberta Baumann.

 

Bartlett ART TALK

 Janice Kasper BOLD COAST

 

 

Art at Bartlett presents . . .

BARTLETT ART TALK: Janice Kasper

Wednesday, April 22nd (Earth Day!), 10am

at Bartlett Woods Retirement Community in Rockland

The first BARTLETT ART TALK of the 2026 season at Bartlett Woods Retirement Community is slated for Wednesday, April 22nd, at 10am with long-time Maine environmental painter JANICE KASPER. The Art Talk is associated with the current exhibition, “CHICKADEES, ALLIGATORS AND STONEHENGE,” which features contemporary works by painters Janice Kasper, along with Cicely Aikman and photographer Dirk McDonnell.  All works are on loan from Caldbeck Gallery, Rockland.  Open to the public, the Art Talk is free. Located at 20 Bartlett Drive (just off Talbot Avenue between Broadway and Old County Road), the non-profit retirement community continues its commitment to its Art at Bartlett Program through hosting this special event.

About Janice Kasper:

“My work is directly related to my growing concern over the protection of wildlife and wild lands in Maine” – Janice Kasper

Janice Kasper paints powerfully simple, dramatic oils that represent the repullulating intrusion of man and his technologies upon nature. D. Dominick Lombardi wrote in the New York Times on 09/27/00 that Janice Kasper “can be loosely described as Georgia O’Keeffe with a cause”. Her poignant sense of irony adds an aura of accessibility to her work. Kasper has a BFA in Painting from the University of Connecticut. She has studied with the Artist-in-Residence at Unity College (Leonard Craig) and at the Skowhegan School of Painting and Sculpture. Her work is in collections around the country, including the Portland Museum of Art in Portland, ME, the Farnsworth Art Museum in Rockland, ME, and the Hitchcock Collection at the University of Maine at Presque Isle. A few of her most recent solo and group exhibitions include the O’Farrell Gallery formerly of Brunswick, ME, the Katonah Museum of Art in Katonah, NY, and the L.C. Bates Museum in Hinckley, ME. She received several grants including an Artist Resource Trust Grant, a Maine Percent for Art commission and a Good Idea Grant from the Maine Arts Commission. She has been with the Caldbeck Gallery in Rockland since 1993. Kasper has been published in 8 books and museum catalogues. In 2007, Janice received an artist-in-residence position at Denali National Park in Alaska. She was an artist-in-Residence at Isle Royale National Park in 2009. For further information about Janice, contact: Caldbeck Gallery, 12 Elm Street
Rockland, Maine 04841 tel. 207.594.5935  info@caldbeck.com.

 

 

   Janice Kasper WINTER DEER

Janice Kasper sketching in the bone yard on Isle Royale National Park, Michigan; photo by Bob Brooks.

 

CHICKADEES, ALLIGATORS AND STONEHENGE come to Bartlett in March!

The first new art show of the 2026 season at Bartlett Woods Retirement Community opens on Friday, March 20th, with a reception from 4-6pm. “CHICKADEES, ALLIGATORS AND STONEHENGE” will feature contemporary works by painters Janice Kasper and Cicely Aikman, and photographer Dirk McDonnell.  Open to the public, the exhibition will run through August 28, 2026. Located at 20 Bartlett Drive (just off Talbot Avenue between Broadway and Old County Road), the non-profit retirement community continues its commitment to its Art at Bartlett Program through hosting this new exhibition, (on loan from Caldbeck Gallery). Free and open to the public, Sun-Fri, 8am to 5pm.

About the Artists:

Cicely Aikman (American 1923-2013). Born in Texas, where she lived until the age of six, Aikman spent her childhood in Los Angeles – a child of the west – before going to high school in Washington D.C. She studied at the Corcoran School of Fine Arts (1938-40), the University of Chicago (1940-42), and the Art Student League with mentor Morris Cantor (1942-1946). Aikman reflected “This was a serious art education – our only regret was that due to World War ll, we could not go to Europe, in particular to Paris to see, first-hand, the works of Picasso and Matisse.”

After the war, Aikman traveled to Italy by boat with her young son, Paul, and lived in bohemian circles with others, drawn like Aikman, to the cultural life in Rome, Paris and elsewhere. Back in New York, Aikman began showing her work along with her downtown peers, among them Lois Dodd, Rudy Burkhardt and Gretna Campbell at the Pyramid Gallery. In the forties and fifties, Aikman painted winters in the city and summers in Provincetown, MA. She exhibited in New York with Green Mountain Gallery, the Blue Mountain Gallery, the Artists’ Gallery, the Westbeth Gallery, and with the Provincetown Art Association, while raising her son and holding down a series of jobs. She moved to Maine in 1973 with her second husband, Fred Scherer, whom she had met through her work at the Museum of Natural History in New York. Aikman began to show at Caldbeck Gallery in 1990. Her work has been exhibited in numerous galleries and museums, including the Farnsworth Art Museum, The Portland Museum of Art, the Center for Maine Contemporary Art and Roundtop Center for the Arts. Her work “January”, was included in WINTER IN MAINE by Carl Little, published by Down East Books. Aikman maintained a vigorous studio practice, splitting her time between Friendship, Maine and the Indian River in Florida. In 2005, Aikman and Scherer moved to Brattleboro, Vermont where they continued to live and work until 2013. https://www.cicelyaikman.com/

Janice Kasper “My work is directly related to my growing concern over the protection of wildlife and wild lands in Maine” – Janice Kasper

Janice Kasper paints powerfully simple, dramatic oils that represent the repullulating intrusion of man and his technologies upon nature. D. Dominick Lombardi wrote in the New York Times on 09/27/00 that Janice Kasper “can be loosely described as Georgia O’Keeffe with a cause”. Her poignant sense of irony adds an aura of accessibility to her work. Kasper has a BFA in Painting from the University of Connecticut. She has studied with the Artist-in-Residence at Unity College (Leonard Craig) and at the Skowhegan School of Painting and Sculpture. Her work is in collections around the country, including the Portland Museum of Art in Portland, ME, the Farnsworth Art Museum in Rockland, ME, and the Hitchcock Collection at the University of Maine at Presque Isle. A few of her most recent solo and group exhibitions include the O’Farrell Gallery formerly of Brunswick, ME, the Katonah Museum of Art in Katonah, NY, and the L.C. Bates Museum in Hinckley, ME. She received several grants including an Artist Resource Trust Grant, a Maine Percent for Art commission and a Good Idea Grant from the Maine Arts Commission. She has been with the Caldbeck Gallery in Rockland since 1993. Kasper has been published in 8 books and museum catalogues. In 2007, Janice received an artist-in-residence position at Denali National Park in Alaska. She was an artist-in-Residence at Isle Royale National Park in 2009.

Dirk McDonnell (American 1952- 2021)  Dirk McDonnell started photographing in the mid-80s with his 35mm camera when he travelled extensively through Mexico. His “historiographic photographs have clarity, emotional depth and edge”, wrote Philip Isaacson in the Maine Sunday Telegram.

McDonnell also traveled to photograph life in a number of disparate places, including Turkey, Holland, England, Italy, France, Ireland, and China. He also concentrated on photographing the Maine landscape in winter, usually working with a large format camera which enabled him to manipulate the image while shooting.  He is also represented by Robert Klein Gallery in Boston. Later, McDonnell photographed in Argentina, Death Valley and the Isle of Skye. He worked with digital media.  He is in the permanent collection of the Farnsworth Art Museum in Rockland, ME,  The Georgia O’Keefe Museum in Santa Fe, NM, the Portland Museum of Art, Bravo Center, Oaxaca, Mexico, The Museum of Contemporary Photography, Chicago, IL, Colby College Art Museum, The Norma Marin Collection at Smith Wellesley, the University of Maine, Machias, ME, the Bruce Brown Collection at the Portland Museum of Art and the New Orleans Museum of Art. McDonnell showed at Colby College in Waterville, the University of New England at Westbrook College, the University of Maine at Machias, at the Center for Maine Contemporary Art, formerly  in Rockport, ME and at 162 Gallery, Rockport ME.  McDonnell’s work can also be seen at www.dirkmcdonnell.net

For further information at the artists, contact: Caldbeck Gallery, 12 Elm Street, Rockland, Maine 04841 tel 207.594.5935  info@caldbeck.com.

Review of JAZZ GIN MONEY & MURDER

 

A Roaring Good Time at Bartlett Woods: Residents Step Back into the 1920s for Murder Mystery Night

 

On February 5, 2026, Bartlett Woods Retirement Community was transformed into a scene straight out of the Roaring Twenties as residents donned feathers, pearls, fedoras, and bow ties to take part in a lively 1920s-themed murder mystery event.

The immersive evening invited residents to step into character, bringing to life a cast of colorful suspects and sleuths. From flapper dresses adorned with fringe and beads to sharp vests and bowler hats, the attention to detail reflected both creativity and enthusiasm. Each participant embraced a role, complete with character names, backstories, and plenty of dramatic flair.

Just as the mystery was unfolding, the evening took an unforgettable turn. Local, internationally renowned mystery writer Tess Gerritsen surprised both the cast and attendees by arriving in character as the evening’s detective. Stepping seamlessly into the storyline, Gerritsen led the investigation, questioned suspects, examined clues, and ultimately brought the culprit to justice—much to the delight of everyone in attendance.

Gasps, laughter, and applause followed as residents realized they were being investigated by one of the world’s most celebrated mystery authors. Her unexpected appearance elevated the experience, blending professional storytelling with community theater in a way few will soon forget.

Throughout the night, laughter echoed through Bartlett Woods as clues were exchanged, alibis questioned, and playful accusations flew. The event encouraged collaboration and conversation, drawing residents together as they worked to solve the mystery while enjoying the theatrical experience.

Beyond the fun of the whodunit, the evening highlighted the strong sense of community at Bartlett Woods. Residents supported one another in costume preparation, character development, and performance, creating an atmosphere that was both festive and inclusive.

Staff members praised the event as a wonderful example of active engagement and creative expression. “Seeing everyone so involved, laughing, and truly committing to their roles was incredibly special,” one organizer shared. “And having Tess Gerritsen join us as the detective made the night truly extraordinary.”

As the mystery was solved and the evening drew to a close, one thing was clear: Bartlett Woods knows how to throw a party worthy of the Jazz Age. The 1920s murder mystery will undoubtedly be remembered as a standout event—proof that imagination, community spirit, and a little drama never go out of style.